Midsummer Animals exhibition
Muza, Eretz Israel Museum Tel Aviv
Is there anything more serious than games and play?
Midsummer Animals is an exhibition of monumental wood and metal sculptures measuring 2-10 meters. The sculptures are in the shape of familiar and imaginary animals that invite you to touch them and have fun with them.
The sculptures incorporate an equal part blend of simplicity and sophistication.
Using simple lines I created figures from the animal world characterized as play sculptures made of metal and wood.
The exhibition is like a step back into time and is based on ideas conceived in the 1980s while the artist worked with traditional craftsmen in the Gaza Strip.
The sculptures in the exhibition offer themselves to the public without pretension or ingratiating themselves. The invite contact and play, and believe in the audience’s ability to experience complex feelings the message of which stems from the style, the approach to material, in the technique and structurality.
The play sculptures in the exhibition blur the gap between the concept and the thing itself. They are both the thing and the essence. In order to understand them you need to use them, play with them and experience them. They convey the artistic action as a philosophical act – the act itself rather than the discourse about it.
אהרל'ה בן אריה
Aarale Ben Arieh , Artist
Aarale Ben Arieh
אהרל'ה בן אריה
"If fortune calls, give him a chair"
Sculptures inspired by Yiddish sayings
Yiddish was the common language of the Jews of Eastern and Central Europe, by 1939 some seven million people living across a vest range of lands from Poland to Russia and from Latvia to Romania. While these diverse populations spoke the local language with the authorities and their non-Jewish neighbors, within their own communities it was mama-loshn or their mother tongue of Yiddish which was the common language. Yiddish was the vernacular of Jewish daily life.
Yiddish was adapted mainly from high German, while using the Hebrew alphabet. Though for many centuries this language was looked upon as vulgar and non-scholarly, in reality it became the repository for a rich oral and written tradition which includes everything from Judaic texts and Yiddish theater of folktales, Yiddish humor and proverbs, the subject of this exhibit.
A proverb is defined as a traditional saying which offers advice or presents a moral in a short and pithy manner. If people sometime fault them or being clichés it is because they are. Proverbs share a universal ring that cuts across time and culture, expressing in a short turn of phrase something basic and intimate about daily life.
In fact, all known cultures have such a tradition and frequently these expressions are surprisingly similar, as reflected in the familiar sound of some of the proverbs depicted here: for example "An oiled wheel does not squeak".
In this light , it makes good sense that Aarale Ben Arieh was choused to create an exhibit such as this. Aarale is an Israeli artist whose work is warm and lighthearted, almost whimsical in nature as well as being simple in form, construction and finish. His artistic style is perfectly suited to express the intimacy and warmth of the Yiddish language and culture. Aarale's work is accessible, tactile and provocative, like the language which inspires his creations.
Finally, insofar as there is currently a resurgence of interest in Yiddish language and culture, it is hoped that this exhibit can contribute to such consciousness by igniting the viewer's in the 'joy of Yiddish'.
This sculptures exhibition created by Aarale at the request of the Yeshiva University Museum, New York, where the exhibit was displayed from October 1994 to February 1995.
toy sculptures
"It was back in the days when I was apprentice to Abu Ibrahim, an old deaf man from on the Gaza coast who built boats and ploughs.
We were sitting on the floor of his workshop in the market sipping sweet tea. The floor was strewn with citrus wood chips produced by our hatchets. The smell of fresh wood mingled with the scent of citrus and permeated the room.
The master gave me an unusual job to do – to make a wooden toy for his grandson. I was both surprised and thrilled by the request and at the end of the day I presented him with a rocking bird.
On the morrow Abu Ibrahim did not look a happy man and told me he had not had a moment’s peace since we parted the day before. It seems his 12 grandchildren who lived with him had raised a commotion over the toy. They all wanted one. I happily suggested that I make one for each of his grandchildren, and he was delighted. Buoyed by his reaction I set to my task and, by the evening, had finished 12 small pieces. Abu Ibrahim took the bag of toys home. The following morning he told me the toys had been a great success and that peace and quiet had been restored to his home.
wind vane , wind turbines
brass , 120 cm high
brass , 40 cm high
metal , cupper 120cm high
brass ,70 cm high
Wood works
